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The
publication and distribution of this book was made
possible copyright
® 1994 Robert O. Fisch |
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In
memory of my father and others
who were persecuted for their faith With
thanks to Anna and all those To
my daughter, Rebecca Alexandria, and to all children, And
to my friends, |
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Words Are Their Flowers— "They Were Killed by
Hatred; Their Memory Is Kept Alive in Love." I have been thinking for quite a long time whether any medium is appropriate to describe the scope of the tragedy of the Holocaust. How can sorrow, suffering, and atrocities of this magnitude be expressed? With this book I want to say that it is not the ugliness of hate but the beauty of love which survives in time. History is the result of human emotion, conflict, and interest. The purpose of this book is not to make a memento of this horror but to know it and to learn from it. We need to find out how to prevent the occurrence of such a tragedy again and how to be human beings in all circumstances. We must develop principles of belief which provide a good quality of life, with self respect as well as respect for others and by others. The Holocaust teaches this lesson: "Love overcomes hate." (6) |
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I was 18 years old, living in Budapest,
Hungary. My mother
worked from 3 a.m. until 6 p.m., six days a week. Her
favorite saying
was, "A man is as good as his word." From her I learned
determination,
endurance, and responsibility My father, an exceptionally
good man, loved
life and always helped others. His favorite saying was,
"Live and let
live." From him I learned compassion and laughter. He and
I had unlimited
joy together. I admired my father above all other human
beings. Our parents
provided my brother and me with every kind of education,
and with things
they were not fortunate enough to have had in their
youth. (8) |
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"I
heard the news; I trembled and became speechless."
On
March 19, 1944, when the Germans occupied Hungary, my
life and the lives
of many others changed forever. Soon after the
occupation, all Jews had
to be identified on their clothing with a large yellow
Star of David.
Their property was taken away, and they were moved to the
ghettos. I volunteered
with an organization that served as a liaison between the
Jews and the
German commandant. I was working in the Country
Division. (10) |
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"I
cried out against the brutality, but no one listened."
I can still
see my father as he waved to me for the last time. After
that I was taken
to a work camp with 280 men aged 18 to 48. We worked very
hard, and although
I had not previously done any physical labor, I was
young, and I quickly
got used to it. We were used for the hardest, most
dangerous tasks, such
as digging out unexploded bombs. During air raids, we had
to stay nearest
the military storage for explosives because, as they
said, if we were
hit, "At least the ammunition would not be
wasted." (12) |
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"Outside,
we were destroyed by weapons; inside, by
terror."
January 1945: We were now with many others near the Austrian border. Imagine the oval brick burner building with its small opening filled with crawling skeletons. For two nights, we were forced to stay in the furnace room. The smell of decomposing bodies and incineration containers full of human excrement was indescribable. In the darkness, we had no way to distinguish the dead from the dying. Millions of lice had invaded us. What a hopeless fight-fingers exhausted from endless scratching and nails broken by futile smashing. This point marked the beginning of an epidemic. My suspicions about our destiny were confirmed. (14) |
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| "Death
rushed through our windows."
An
epidemic of typhus, a disease transmitted by lice, broke
out two weeks
later. I was the first one to have a high fever; then
many prisoners started
to collapse, one after another, unable to walk. The
Germans reacted by
kicking them, but soon realized there was an epidemic and
set up a room
for the sick. The doctor sent for me and said, "You have
to stay in there." (16) |
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| "The
songs of the sanctuaries turned into screams."
In the dead of winter, we marched from dawn to sunset at the foot of the Alps. Sometimes we marched for days without food or water. If someone sat down, he was shot. We carried nothing. Blankets were acquired by picking one up off the ground where it lay after someone had dropped from fatigue and no longer needed it. As we climbed toward the mountain pass, the number of bodies increased. We were ordered to stop and form lines of five. At the pass, two were randomly shot from each line. As some fell, the rest kept marching. (18) |
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| "Oh,
God, in my sorrow, I turn to Thee."
We
reached a small village by late afternoon. We numbered
thousands, hungry
and exhausted. An Austrian peasant brought a bag of
apples to the edge
of the fence and started to throw them toward us. The
reaction of the
prisoners was wild. But the peasant paid a dear price:
she was shot on
sight. (20) |
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| "How
the heroes were falling!"
We
arrived at Mauthausen, an old concentration camp where
the gas chambers
were out of service. A big sign hanging above the
entrance read, "Work
Makes You Free." Dead bodies and skeletons were sprawled
all over. Food
ration for a day was a cup of black coffee and a quarter
slice of dark
bread covered with green fungus. The toll was evident in
our physical
appearance-gaunt faces and skeletal frames. One dying boy
turned to me
and asked me to tell him about restaurants. "Is it
really true that
you can eat as much bean soup as you wish?" He never
found out. (22) |
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| "Behold
my misery and save me."
We
started out on yet another march because the Russians
were nearing the
camp. Five days of marching, and we were less and less
able to walk because
of our diminished strength. Some were
nearing the camp. Five days of marching, and we were less
and less able
to walk because of our diminished strength. Some were
given help and put
on couches rigged to horses. Our destination:
Concentration Camp Gunskirchen—a
"gem" in the Austrian forest. The exhausted
victims from the
couches were thrown directly into open graves, then
killed. (24) |
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| "Like
dawn in the darkness, Thy light arises."
We
were finally informed that Berlin had been occupied on
May 1, 1945. Joy
and hope filled our hearts, but nothing changed. It was
"business
as usual" with even more death. Following such
feelings of hope,
our despair became more profound than ever The end seemed
so close, yet
so far away. A few SS tried to escape, and the others
lost no time in
hanging them. (26) |
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| "Even
death could not come between us."
I
learned that my father had been taken away. Even in the
camp, he gave
his food to the needier ones, explaining, "I always
have enough."
He hoped to meet with me along the way, but our paths
never crossed. He
was remembered as saying, "If one man can do this to
another, there
is no reason for me to go back." And he didn't come back.
My beloved father,
who always gave to others, starved to death. What had
become of "Live
and let live"? He was so greatly respected in the
camp that he was
the only one not buried in a common grave. (28) |
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| "And
the whole country mourned— families and individuals:" Out
of 280 men, only 120 were still alive. The number had
decreased that much
in only three months. On my 20th birthday, I had to crawl
over a single
step because I was too weak to walk up on it. My hatred
of the Germans
was simple: "I will kill them all!" Then on
encountering my
first German as a free man, I had to make a choice. He
was dirty and hungry,
begging for food. I asked myself whether I should do to
him what they
had done to us, or if I should do what my father would
do. . . I gave
him some food. They
say that one man's death is a tragedy, 100 a disaster,
1,000 a statistic.
At a memorial concentration camp cemetery there are many
gravestones.
As people walk through it they see one stone that reads,
"Here are
10,000"; another reads, "Here are 20,000";
and so on. At
the exit is a stone that reads, "Here is
one." (30) |
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| "Those
martyrs live."
How
can the suffering and death of 6 million people be
illustrated and appropriately
described or expressed? What can we learn from it? In the
case of tyranny,
the individual has to stand up and fight. You become part
of either the
suppressors or the suppressed. There is no third way. No
one nation can
take all the blame, nor can another be the only victim;
all humanity shares
in both the guilt and the sacrifice. (32) |
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| "After
all of this, should not the world tremble and every person mourn?" My
paintings are usually joyful; through them I want to show
how life could
be, rather than what it is, I have painted the
illustrations in this book
because I felt that, as one who was there, I could
justifiably attempt
to describe the desolation of those who were part of the
Holocaust. "Even the stones weep." In
the memorial cemetery where my father is, walls with the
names of those
whose whereabouts are known by location contain
quotations. By including
some of these quotations (in liberal translation) here, I
have tried to
give the illusion of walking with me in the cemetery to
share how I felt
and what I felt among the weeping gravestones in reality
and in my dreams. (34) |
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As
beautiful pearls are produced by the suffering of an
oyster, so the Holocaust
created beautiful heroes—not only among the victims and
survivors but
also among the others who risked their own lives in order
to help those
who were persecuted and to save their lives—people like
my old nurse,
Anna, and her family. (36) |
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Author's Acknowledgements Thanks
to Meredith
McNabe and the Minnesota Medical Association Mary Ellen Gee for constant support and editorial assistance; Candy Ames for encouraging this endeavor; Erwin
A. Kelen for establishment of |
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ABOUT THE AUTHOR Robert 0. Fisch is a native of Budapest, Hungary, and a survivor of a Nazi
concentration camp. After the war, Dr. Fisch returned to Hungary and completed
medical school, and then went to America in 1957. He became a medical
intern at the University of Minnesota in 1958 and has been at the University
ever since. He has been a professor of pediatrics since 1979. Dr. Fisch
is known internationally for his clinical research on PKU (phenylketonuria),
a genetic disease. He studied art in Budapest and Minneapolis and has
a distinguished second career as a visual artist. |
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LIGHT FROM THE YELLOW STAR A Lesson of Love from the Holocaust DR. ROBERT
0. FISCH is an eminent pediatrician and visual artist, as
well as Holocaust
survivor. Light from the Yellow Star offers a narrative
of his experience
in a Nazi concentration camp through eloquent paintings
and moving prose.
The text exudes an optimism and hopefulness about life,
even though it
recounts a personal story of terrible suffering. |
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